Highlights from a Year of Science in Theatre 2015

In a year in which high-profile productions such as Photograph 51 and Oppenheimer attracted considerable attention for bringing science to the stage, 2015 was also a year in which smaller gems such as Islington Community Theatre’s Brainstorm shone.

Nicole Kidman, who plays Rosalind Franklin in Photograph 51. Photo: Marc Brenner
Nicole Kidman played Rosalind Franklin in Photograph 51. Photo: Marc Brenner

It was arguably the star appeal of Nicole Kidman rather than the play that drew audiences to the Noel Coward Theatre in September to see Anna Zeigler’s Photograph 51. However, those who saw Kidman’s portrayal of Rosalind Franklin (for which she received an Evening Standard Theatre Award for Best Actress) in Michael Grandage’s production saw a theatrical depiction of an intriguing period in the history of science. Science Centre Stage spoke to Edward Bennett, who played Nobel prize wining biophysicist Francis Crick in the production, about his approach to playing a real-life character and visiting the archives at Kings College London. Photograph 51 is currently nominated for best new play in the What’s On Stage Awards (despite first being performed in the USA in 2007).

When Tom Morton-Smith’s play Oppenheimer opened at the Royal Shakespeare Company’s Swan Theatre at the beginning of the year, its subsequent success was sufficient to lead to a West End transfer. Commuters in London encountered hundreds of posters featuring John Heffernan as J. Robert Oppenheimer promoting the play at the Vaudeville Theatre where it played for two months. The Institute of Physics and Graham Farmelo arranged a panel discussion at the RSC in Stratford-upon-Avon in which the playwright, director Angus Jackson, physicist Prof. Frank Close, science journalist Alok Jha and former Times literary editor Erica Wagner discussed the themes of the play in an event chaired by deputy artistic director of the RSC Erica Whyman.

Another panel discussion in May at the Royal Society, also chaired by Erica Whyman, saw Tom Morton-Smith discuss Oppenheimer with Prof. Marcus du Sautoy, Prof. John Barrow and science-theatre scholar Prof. Kirsten Shepherd-Barr (whose new book Theatre and Evolution from Ibsen to Beckett was published by Columbia University Press in 2015).

Although Oppenheimer and Photograph 51 offered the highest profile portrayals of scientists in mainstream theatre last year, there were also some very strong smaller scale performances bringing together science and theatre, particularly generated by collaborations between scientists, theatre makers and writers.

Brainstorm was developed with support from the Wellcome Trust
Brainstorm was developed by Islington Community Theatre with support from the Wellcome Trust

An undoubted highlight of 2015 was Brainstorm, Islington Community Theatre’s uplifting and energetic piece exploration of the neuroscience of the teenage brain. It was performed by 10 teenagers with support from the Wellcome Trust and was devised by the cast with guidance from UCL neuroscientists Prof. Sarah-Jayne Blakemore and Katie Mills and directed by Ned Glasier. A hugely successful opening run at the small Park Theatre in January led to a well-deserved transfer to the National Theatre’s temporary theatre space in the summer. Islington Community Theatre then took part in Battersea Arts Centre’s Live From Television Centre project, resulting in a 30-minute version of Brainstorm becoming available on BBC iPlayer, substantially widening the audience it reached. Brainstorm will return to the National Theatre in 2016.

Harry Lister Smith Photo: Richard Davenport
Harry Lister Smith in Metta Theatre’s Mouthful Photo: Richard Davenport

Another intriguing production benefiting from Wellcome Trust support in 2015 was Metta Theatres’ Mouthful, in which international playwrights were paired with scientists to produce six short plays about the global food crisis. The result was a thought provoking and engaging production at London’s Trafalgar Studios. Science Centre Stage spoke to Metta Theatre’s artistic director Poppy Burton-Morgan about the development process behind Mouthful and how the scientists and writers worked together to create the plays.

Menagerie Theatre also continued their strong programme of pairing academics and writers in their What’s Up Doc? series for the 2015 Hotbed Festival in Cambridge. Pictures of You was writer Craig Baxter’s latest collaboration with Dr. Martina Di Simplicio of the MRC Cognition and Brain Sciences Unit at Cambridge University, in which mental imagery was explored in a short play that was subsequently had a short run at London’s Soho Theatre.

That Is All You Need To Know - Idle Motion
That Is All You Need To Know – Idle Motion

There was barely space to swing Alan Turing’s bicycle in the upstairs space at the Arts Theatre (though they tried) as The Hope Theatre’s performed Snoo Wilson’s Lovesong of the Electric Bear in a quirky and offbeat take on the life of Alan Turing directed by Matthew Parker. Meanwhile, Turing also featured in That Is All You Need To Know at the New Diorama Theatre as Idle Motion performed their Bletchley Park inspired piece of remarkable devised physical theatre for the last ever time.

A NUMBER by Churchhill,         , Writer - Caryl Churchill, Director - Michael Longhurst, Designer - Tom Scutt, Lighting - Lee Curran, The Young Vic Theatre, 2015, Credit: Johan Persson/

At the peripheries of the science-theatre genre lie certain plays presenting dystopic but feasible near-future scenarios. In 2015 the Royal Court Theatre’s production of Jennifer Haley’s The Nether asked pressing questions about the boundaries between the online world and reality during a 12 week run at the Duke of York’s Theatre. The Young Vic Theatre played host to Southampton Nuffield’s revival of Caryl Churchill’s A Number, exploring the possible consequences of where human cloning could take us. Science Centre Stage spoke to director Michael Longhurst about the background to the play and how he and Tom Scutt worked together on the striking set design.

Nick Payne's Constellations had a UK Tour in 2015
Nick Payne’s Constellations had a UK Tour in 2015

The inestimable Tom Stoppard topped and tailed the year with his new neuroscience-inspired play The Hard Problem opening at the National Theatre in January and a revival of the little-performed Hapgood at Hampstead Theatre in December. Hapgood is a spy-thriller drawing on ideas from quantum physics which apparently baffled many who saw the original production in 1988. However, Stoppard has revised the play several times since, including an updated version for the Hampstead Theatre that runs until 23rd January 2016.

The Hard Problem will have its USA premiere from 6th January 2016 at he Wilma Theatre in Philadelphia. Stoppard discussed the play with philosopher David Chalmers, who first coined the term the ‘hard problem’ to address the question of consciousness, on stage recently ahead of the new production.

January 2015 saw the death of scientist and playwright Carl Djerassi at the age of 91. Djerassi’s writing about the relationship between science and theatre was extensive and he wrote many plays, including Insufficiency and Oxygen (with Roald Hoffmann) each constructed around some aspect of science. Despite at times being controversial, and with mixed reactions to his plays, his approach was spirited and there is no doubt Djerassi contributed a great deal to the consideration of the place of science on the stage. Jenny Rohn wrote thoughtfully about her own interactions with Djerrassi in a piece for LabLit in March.

Lisa Dillon as Elizabeth Haploid at the Hampstead Theatre until 23rd January
Lisa Dillon as Elizabeth Hapgood at the Hampstead Theatre until 23rd January

If 2015 was a strong year for science in theatre then 2016 also has some interesting prospects in store. A new play by Nick Payne for the Donmar Warehouse opens in April. The Royal Shakespeare Company will apply their considerable resources and talents to a new version of Christopher Marlowe’s Doctor Faustus, arguably one of the early depictions of a scientist in theatre. But if Photograph 51, Oppenheimer and The Hard Problem were some of the mainstream successes of 2015, it is the smaller gems that may also be most worth seeking out in 2016.

Latest Science Theatre News

As the Royal Shakespeare Company and the Royal Society jointly host a panel discussion on science–inspired theatre, there is plenty more news on science in theatre to catch up on this month.

Kirsten Shepherd-Barr, Tom Morton-Smith, John Barrow, Marcus du Sautoy and Richard Bean will join RSC deputy artistic director Erica Whyman for ‘A dramatic experiment: science on stage’ on Monday 11th May. The panel discussion at the Royal Society in London will be broadcast live and then available to view later on the Royal Society’s website.

A new UK tour of the Royal Court Theatre’s Constellations opens this month and will play at venues throughout England including Liverpool, Bristol and Cambridge until the beginning of July. The production features Joe Armstrong and Louise Brealey, who is perhaps best known for her role in television’s Sherlock. The recent production of Constellations on Broadway has earned Ruth Wilson a Tony Award nomination for playing Marianne in Nick Payne’s one act play about the relationship between a bee keeper and a physicist, played out in multiple universes.

The profile of science in London’s West End, recently raised by the transfer of Tom Morton-Smith’s Oppenheimer, will further increase in September when Michael Grandage stages Photograph 51 at the Noel Coward Theatre. Nicole Kidman will play Rosalind Franklin, the pioneering crystallographer who had a pivotal role in the discovery of the structure of DNA, in the first UK production of Anna Ziegler’s play.Constellations_uk_tour

Meanwhile it’s been recently announced that Ophelia Lovibond from BBC satire W1A will play Connie in Sheffield Theatres’ production of Lucy Prebble’s The Effect, which opens at the Cruicible Studio in June.

Finally, Menagerie Theatre Company have announced that their Hotbed Festival in July 2015 will include a new play by Craig Baxter called Pictures of You, inspired by the use of imagery as a treatment in mental health, meaning there is plenty in store for science in theatre in the coming months.

Best Actor Nomination for BBC Radio Copenhagen

Simon Russell Beale has been nominated for Best Actor in an Audio Drama for his portrayal of Neils Bohr in last year’s BBC Radio 3 adaption of Copenhagen. The winners of the BBC Audio Drama Awards will be announced at a ceremony in the BBC Radio Theatre in London on Sunday 26th January.

Copenhagen was adapted and directed by Emma Harding and was broadcast in January 2013. Benedict Cumberbatch played Werner Heisenberg and Greta Scacchi played Bohr’s wife Margrethe in the 90 minute audio version of Michael Frayn’s classic play.

Beale is up against Lee Ross and Joseph Millson in the Best Actor category, which is being judged by journalist and presenter Libby Purves, actor and writer Ruth Jones and gossip columnist Baz Bamigboye.

Science on Stage 2013: A Year in Review

The year 2013 has been a good one for the science-in-theatre genre with numerous performances of established classics staged throughout the world as well as new plays appearing on the scene.

The year began with the final few performances of Lucy Prebble’s The Effect at The National Theatre in London. The complexities of love amid a neuropharmacology clinical trial attracted both sell-out audiences and a clutch of awards and nominations for the Headlong/NT team.

The Royal Shakespeare Company’s new version of Brecht’s A Life of Galileo in the Swan Theatre brought audiences to Stratford-Upon-Avon to enjoy a lively and musical production with set-design by Tom Scutt.

Several new plays portraying the history of science opened throughout the year. Operation Epsilon by Alan Brody premiered in Boston USA, dealing with the post-war detention of German nuclear scientists and offering an intriguing postscript to Michael Frayn’s mighty Copenhagen. STELLA, a new play by Sibohan Nicholas featuring portrayals of 18th Century astronomers Caroline and William Herschel, opened in Brighton in May and went on to tour small venues in the UK and Ireland throughout the summer.

A highlight of this year’s Edinburgh Fringe Festival in August was Adura Onashile’s portrayal of Henrietta Lacks in her one-woman show HeLa. Onashile’s performance brought the story of Lacks treatment in the 1950s and the prolifically multiplying cell line that has lived on in the decades since her death to ever-wider audiences. The wartime code-breaking endeavors of Alan Turing and his colleagues at Bletchley Park were also brought to life at the Edinburgh Festival in Idle Motion’s immensely imaginative That is All You Need to Know.

As ever, Frayn’s Copenhagen and Tom Stoppard’s Arcadia proved popular choices for professional and amateur theatre companies throughout the world. In Hong Kong there was a reading of Copenhagen in Mandarin in October and as well as a revival of a production given by Nobel laureates in Gothenburg in December. The appeal of Arcadia was confirmed this year when it was voted fourth in a list of the Britain’s favorite plays.

There are promising events in store for 2014 with the world premiere of Dava Sobel’s play about Copernicus And the Sun Stood Still set for production in Denver in April. With new tours of STELLA, Hanging Hooke and A Life of Galileo on the cards in the UK as well as a new play about neuroscience on the way from Constellations playwright Nick Payne, 2014 is looking bright for science-in-theatre.

 

 

Stella: History is written in the stars

The three night run of Stella at the Greenwich Theatre begins on Thursday 11th July. The first night performance will be followed by a Q&A session with the play’s writer Siobhán Nicholas and astronomer Radmila Topalovic.

StageScite caught this new play about Caroline and William Herschel when it premiered at the Old Market Theatre in Brighton in May 2013.  Actors Chris Barnes and Kathryn Pogson joined Nicholas on stage to play the four roles, with Barnes doubling up to play the both the husband of present-day astronomer Jessica and William Herschel in the 18th Century. Nicholas herself took on the role of William’s sister Caroline who was his sometime assistant and an accomplished astronomer in her own right.

When musician Bill is offered a job with an orchestra in Germany, the chance to relocate raises a conflict with his wife Jessica whose own successful career as an astronomer is rooted in England. Jessica is also following her historical  interest in the Herschels, which takes her on a research trip to Bath to study Caroline Herschel’s private diaries. As Jessica’s investigations progress and her relationship with Bill becomes increasing strained, we are presented with interleaved scenes from the lives of the Herschels, whose own individual aspirations and careers are also pulling them in different directions.

Stella received special mention in the judging for the New Writing South Best New Play Award 2013. It runs at the Greenwich Theatre in London on 11th, 12th and 13th July 2013.

The Effect of Success

Lucy Prebble’s 2012 play set in a clinical trials facility has been shortlisted for another writing prize. The Effect, which has already won a Critics Circle Award is one of five plays nominated for the James Tait Black Prize, coordinated by Edinburgh University. James Tait Black Memorial Prizes for fiction and biography were established in 1919 but this is the first time a prize has been offered for drama. A panel of judges representing Edinburgh University, The National Theatre of Scotland and The Traverse Theatre will decide on the winning play which will be read in Edinburgh on the 5th August 2013.

The Effect was staged at The National Theatre from November 2012 to February 2013 and was a co-production with Headlong. Bille Piper and Jonjo O’Neill starred as a couple who apparently fall in love during a neuropharmacology drug trial.

(Update: The winning play has been announced as The Radicalisation of Bradley Manning by Tim Price.)

Olivier Award 2013 Nominations Recognise Science-in-Theatre Plays

Two new science-in-theatre productions have been nominated for British theatre’s prestigious Olivier Awards. Nick Payne’s Constellations is nominated in the Best New Play category as well as receiving nominations for Best Lighting Design and Sound Design for Lee Curran and David McSeveney respectively. Rafe Spall received a Best Actor nomination for his portrayal of a beekeeper opposite Sally Hawkins’ theoretical physicist.

Two performers in the Headlong/National Theatre production of Lucy Prebble’s The Effect have also been nominated. Billie Piper, who played drug trial participant Connie, is up for Best Actress. Anastasia Hille is nominated for Best Actress in a Supporting Role for portraying one of the doctors running the trial.

The winners of the Olivier Awards will be announced at a ceremony at the Royal Opera House on 28th April 2013. Playwright Michael Frayn will also receive a special award for outstanding contributions to theatre. Frayn’s many plays include the Tony Award winning Copenhagen (1998) which considers the 1941 meeting between Niels Bohr and Werner Heisenberg and remains one of the best-known and influential science-in-theatre plays.

Olivier Award Nominations Announced 26 March 2013

Best Actor Rafe Spall – Constellations

Best Actress Billie Piper – The Effect

Best Actress in a Supporting Role Anastasia Hille – The Effect

MasterCard Best New Play Constellations

White Light Award for Best Lighting Design Lee Curran – Constellations

Best Sound Design David McSeveney – Constellations

Special Award Michael Frayn