The current UK tour of A Life of Galileo has reached the Rose Theatre Kingston, where it plays from 24th-29th of May. The 2014 revival will conclude at the Cambridge Arts Theatre between 31 March and 5 April 2014.
The year 2013 has been a good one for the science-in-theatre genre with numerous performances of established classics staged throughout the world as well as new plays appearing on the scene.
The year began with the final few performances of Lucy Prebble’s The Effect at The National Theatre in London. The complexities of love amid a neuropharmacology clinical trial attracted both sell-out audiences and a clutch of awards and nominations for the Headlong/NT team.
The Royal Shakespeare Company’s new version of Brecht’s A Life of Galileo in the Swan Theatre brought audiences to Stratford-Upon-Avon to enjoy a lively and musical production with set-design by Tom Scutt.
Several new plays portraying the history of science opened throughout the year. Operation Epsilon by Alan Brody premiered in Boston USA, dealing with the post-war detention of German nuclear scientists and offering an intriguing postscript to Michael Frayn’s mighty Copenhagen. STELLA, a new play by Sibohan Nicholas featuring portrayals of 18th Century astronomers Caroline and William Herschel, opened in Brighton in May and went on to tour small venues in the UK and Ireland throughout the summer.
A highlight of this year’s Edinburgh Fringe Festival in August was Adura Onashile’s portrayal of Henrietta Lacks in her one-woman show HeLa. Onashile’s performance brought the story of Lacks treatment in the 1950s and the prolifically multiplying cell line that has lived on in the decades since her death to ever-wider audiences. The wartime code-breaking endeavors of Alan Turing and his colleagues at Bletchley Park were also brought to life at the Edinburgh Festival in Idle Motion’s immensely imaginative That is All You Need to Know.
As ever, Frayn’s Copenhagen and Tom Stoppard’s Arcadia proved popular choices for professional and amateur theatre companies throughout the world. In Hong Kong there was a reading of Copenhagen in Mandarin in October and as well as a revival of a production given by Nobel laureates in Gothenburg in December. The appeal of Arcadia was confirmed this year when it was voted fourth in a list of the Britain’s favorite plays.
There are promising events in store for 2014 with the world premiere of Dava Sobel’s play about Copernicus And the Sun Stood Still set for production in Denver in April. With new tours of STELLA, Hanging Hooke and A Life of Galileo on the cards in the UK as well as a new play about neuroscience on the way from Constellations playwright Nick Payne, 2014 is looking bright for science-in-theatre.
The Royal Shakespeare Company’s recent production of A Life of Galileo is returning to the stage in 2014. Birmingham Repertory Theatre and the Theatre Royal Bath are reviving the RSC production with Ian McDairmid remaining in the title role. Opening in Birmingham on 28th February, the production will go on tour to Bath and Kingston during March.
Tour dates for A Life of Galileo:
- 28 February to 8 March 2014, Birmingham Repertory Theatre
- 17 March to 22 March 2014, Theatre Royal Bath
- 24 March to 29 March 2014, Rose Theatre Kingston
Meanwhile, stage designer Tom Scutt has been talking about his work in two recent interviews here and here. Scutt, who also designed the set for Constellations, worked on A Life of Galileo for the RSC.
Actor Ian McDiarmid paid tribute to the late Richard Griffiths after the final performance of A Life of Galileo on Saturday 30 March. McDiarmid, who played Galileo in the Royal Shakespeare Company production, told the audience of his great admiration for Richard Griffiths as an actor and colleague. He pointed out that Griffiths, who died on 28 March 2013 aged 65, also played Galileo in 1994 at the Almeida Theatre.
With the cast of A Life of Galileo assembled behind him for the final curtain call, McDairmid explained how Griffiths’ energetic portrayal of Galileo provided inspiration for some of his own performance. MacDiarmid closed the evening by inviting the audience to show their appreciation for Richard Griffiths with a period of applause.
The RSC production of A Life of Galileo by Bertold Brecht (using a new translation by Mark Ravenhill) played at the Swan Theatre in Stratford-Upon-Avon from 31 January – 30 March 2013.
In this short RSC video featuring the director Roxana Silbert, Iain McDairmid says “it seems to me at the moment science is in the air.”