Simon Russell Beale has been nominated for Best Actor in an Audio Drama for his portrayal of Neils Bohr in last year’s BBC Radio 3 adaption of Copenhagen. The winners of the BBC Audio Drama Awards will be announced at a ceremony in the BBC Radio Theatre in London on Sunday 26th January.
Copenhagen was adapted and directed by Emma Harding and was broadcast in January 2013. Benedict Cumberbatch played Werner Heisenberg and Greta Scacchi played Bohr’s wife Margrethe in the 90 minute audio version of Michael Frayn’s classic play.
Beale is up against Lee Ross and Joseph Millson in the Best Actor category, which is being judged by journalist and presenter Libby Purves, actor and writer Ruth Jones and gossip columnist Baz Bamigboye.
The year 2013 has been a good one for the science-in-theatre genre with numerous performances of established classics staged throughout the world as well as new plays appearing on the scene.
The year began with the final few performances of Lucy Prebble’s The Effect at The National Theatre in London. The complexities of love amid a neuropharmacology clinical trial attracted both sell-out audiences and a clutch of awards and nominations for the Headlong/NT team.
The Royal Shakespeare Company’s new version of Brecht’s A Life of Galileo in the Swan Theatre brought audiences to Stratford-Upon-Avon to enjoy a lively and musical production with set-design by Tom Scutt.
Several new plays portraying the history of science opened throughout the year. Operation Epsilon by Alan Brody premiered in Boston USA, dealing with the post-war detention of German nuclear scientists and offering an intriguing postscript to Michael Frayn’s mighty Copenhagen. STELLA, a new play by Sibohan Nicholas featuring portrayals of 18th Century astronomers Caroline and William Herschel, opened in Brighton in May and went on to tour small venues in the UK and Ireland throughout the summer.
A highlight of this year’s Edinburgh Fringe Festival in August was Adura Onashile’s portrayal of Henrietta Lacks in her one-woman show HeLa. Onashile’s performance brought the story of Lacks treatment in the 1950s and the prolifically multiplying cell line that has lived on in the decades since her death to ever-wider audiences. The wartime code-breaking endeavors of Alan Turing and his colleagues at Bletchley Park were also brought to life at the Edinburgh Festival in Idle Motion’s immensely imaginative That is All You Need to Know.
As ever, Frayn’s Copenhagen and Tom Stoppard’s Arcadia proved popular choices for professional and amateur theatre companies throughout the world. In Hong Kong there was a reading of Copenhagen in Mandarin in October and as well as a revival of a production given by Nobel laureates in Gothenburg in December. The appeal of Arcadia was confirmed this year when it was voted fourth in a list of the Britain’s favorite plays.
There are promising events in store for 2014 with the world premiere of Dava Sobel’s play about Copernicus And the Sun Stood Still set for production in Denver in April. With new tours of STELLA, Hanging Hooke and A Life of Galileo on the cards in the UK as well as a new play about neuroscience on the way from Constellations playwright Nick Payne, 2014 is looking bright for science-in-theatre.
Two science-in-theatre classics featured in the National Theatre’s 50th Anniversary evening of celebration on 2nd November. Scenes from Tom Stoppard’s Arcadia and Michael Frayn’s Copenhagen were revived as part of the gala event broadcast live from the NT’s Olivier Theatre.
Actor Roger Allam, who presented Michael Frayn with a special Laurence Olivier Award in April this year, performed the speech from the close of Copenhagen in which Heisenberg recalls an encounter with an SS soldier in Bavaria at the end of the Second World War.
Rory Kinnear played pompous literary scholar Bernard Nightingale in an excerpt from Act II of Arcadia.
Both plays were first produced by the National Theatre. Arcadia opened in the Lyttelton Theatre on 13th April 1993, directed Trevor Nunn with Bill Nighy in the role of Bernard. Copenhagen premiered in the Cottesloe Theatre in 1998, directed by Michael Blakemore.
A great poet is always timely. A great philosopher is an urgent need. There’s no rush for Isaac Newton. We were quite happy with Aristotle’s cosmos. Personally, I preferred it. Fifty-five crystal spheres geared to God’s crankshaft is my idea of a satisfying universe.
Bernard Nightingale provokes Valentine. Arcadia by Tom Stoppard, Act II Scene 1
Lucy Prebble’s The Effect is well-represented in the London Evening Standard Theatre Awards longlist 2013. As well as listing in the Best Play category, Billie Piper and Jonjo O’Neill both make the longlist for acting awards. Rupert Goold is listed in the Best Director category.
The shortlist will be announced on November 8th, ahead of an award ceremony at the Savoy Hotel on 17th November 2013.
Actor Ian McDiarmid paid tribute to the late Richard Griffiths after the final performance of A Life of Galileo on Saturday 30 March. McDiarmid, who played Galileo in the Royal Shakespeare Company production, told the audience of his great admiration for Richard Griffiths as an actor and colleague. He pointed out that Griffiths, who died on 28 March 2013 aged 65, also played Galileo in 1994 at the Almeida Theatre.
With the cast of A Life of Galileo assembled behind him for the final curtain call, McDairmid explained how Griffiths’ energetic portrayal of Galileo provided inspiration for some of his own performance. MacDiarmid closed the evening by inviting the audience to show their appreciation for Richard Griffiths with a period of applause.
The RSC production of A Life of Galileo by Bertold Brecht (using a new translation by Mark Ravenhill) played at the Swan Theatre in Stratford-Upon-Avon from 31 January – 30 March 2013.
In this short RSC video featuring the director Roxana Silbert, Iain McDairmid says “it seems to me at the moment science is in the air.”